Tuesday, October 02, 2007

Art Forum Berlin Part 3

These are the last photos I will post from AF Berlin. The first are mostly made from tape... kind of a trend at the show, across galleries.

Both of these, from Karl Heinz Meyer Gallery, Karlsruhe

Karl Heinz Meyer Gallery, Karlsruhe

This and the next, Patricia Low Contemporary, Gstaad

Patricia Low Contemporary, Gstaad
These very large drawings/paintings are on tissue paper - fragile, ephermeral surfaces that seem like they will dissolve with water or a light wind.

Veracores Gallery, Lisbon

Veracores Gallery, Lisbon

Sunday, September 30, 2007

Art Forum Berlin Part 2

For Part 1 of this topic, see the post below.

Gallery Franco Soffiantino, Turin: This Pantone cone was maybe five feet across

Also from Gallery Franco Soffiantino, Turin: People cases

From Jan Winklemann Gallery, Berlin: see closeup of the glasses, below

Jan Winklemann Gallery, Berlin: Glasses presumably "after" the photos
There was a lot of drawing at the show. I am particularly interested in this because that's what I'll do when I'm here:

This, from Ursula Walbröl Gallery, Dusseldorf: an exquisitely cut and hung lacy paper sculpture.

Closeup of the paper.

Art Forum Berlin

This big art fair, held in an exposition center like those we have in the states, blows Art Chicago out of the water. Mostly european, the theme of the show is "About Beauty" and as the title infers, there is plenty to see. Beauty yes, pretty, not always. The breadth of concept and execution and the mix of knowns and unknowns made for a 4-hour tour that left me exhilarated, not exhausted. A sample of galleries and the works that I thought were the most interesting/ useful to me:

From Arndt & Partner, Berlin: my favorite exhibitor. Each artist has a strong concept and the pieces are also visually "beautiful."

From Arndt & Partner, Berlin: "Goddess with the Head of a Phallus"

From Arndt & Partner, Berlin: both pieces are made of pigskin. The wall piece, pig hair intact, is made of the Louis Vuitton logo in pattern.

Ellen de Bruijne Projects/Akinci, Amsterdam: This artist interests me because of the visual tactility of the slick plastic surfaces. Also there is something seductive about the stacking of the canvasses in a cartoonish way. It seems mechanical/industrial and tactile/random at the same time.

Anita Beckers Gallery, Frankfurt: This butter sculpture takes on a serious subject: classical sculpture. Or does it...

From Frehrking Wiesehöfer, Koln: These paintings on plastic seems to practically drip off the wall.

I have to finish this tomorrow. I have more work to do tonight. There are many more photos to come.

Kreuzberg and Prenzlauerberg

Kreuzberg is the neighborhood just to the west of the former wall, and Prenzlauerberg is the one to the east. It has been a couple of days since we took the tours, and I want to write about Art Forum Berlin, so I will just give you some pictures to enjoy:

Bread at an open air market

Closer... buy some now to take home...

All groceries are organic here.

A street in Prenzlauerberg

A pre-war synagogue in Prenzlauerberg. We were there on Shabbat, and heard singing through the windows. It was not destroyed by the Nazis because it shared walls with adjacent buildings. Shabbat Shalom!

Friday, September 28, 2007

Day 3 - Köpenick and Friedrichschagen

The L4 school where I am teaching my classes is in this fabulous art nouveau building. I didn't get a photo of the facade, but will post one in the near future. The school is very impressive and I am inspired to redesign my teaching site because their work makes mine seem dowdy and out of date. Well, it probably is. I also plan on spending a lot of time with Drupal. L4 website. Here is a shot of the courtyard of the L4 school.

Having re-read my Berlin book, I realized that I had merely taken the wrong turn in Köpenick on Wednesday. Map in hand, I persuaded a few others to come with me to see where the Spree meets the Dahme. Founded in 800, what we saw resembled somewhat a resort town complete with a Best Western. But the old buildings were still there and we had our first real German (not Italian or mishmosh) meal. Karen and I had Gulaschsuppe. Emily and Robert A. had schnitzel, and Robert J. had a pork dish... here is a picture of the Rathaus that I thought was a church. It's really a historic building and you can read about it online if you're interested.

Karen, Robert A, and Emily got all PRACTICAL and asked tourist information where to find the Müggelsee (not in Köpenick, but I knew that). So we took a strassenbahn to Friedrichshagen, where even in the greyscale of the day the Müggelsee had a certain charm. Here is a photo of the group at the lake:

Finally, we went to the historic Wasser Werks a bit down the road in Friedrichshagen.
The most interesting thing we saw there was a 1-man bomb shelter from WWII. Actually, it fits up to three people.

Wednesday, September 26, 2007

Day 2 - Taking Trains

My early intentions today included a trip to the other side of town - to get a handle on how far away things are. Six optimists joined along and we rode the S Bahn to Zoo Station (you probably all know this: one of the trains that goes to that station is U2). Sorry! I forgot my camera but we saw the Gedachtnis Kirche (Memorial Church), an 18th century structure that was mostly destroyed by the allied bombing during WWII. There's a new edifice adjacent that now serves the congregation, but the shored-up former remanant with its gilt mosaics inside serves as a reminder of what happens when an insane leader pushes his people into a senseless war.

In the afternoon everyone ELSE had to go to German class, so I thought I'd go find the Mügglesee, a big lake to the east and south of here. For a change of scenery. To get some nature.

Got off at the right stop, Köpenik, but instead of finding the water I walked in the opposite direction. I make jokes about men not asking directions, but I didn't either. Confident in my intuition, I spent about an hour touring nice neighborhoods with houses and gardens, dogs and cobblestones, no traffic but instead people riding bicycles. There was "Red Riding Hood Street:"

And a free-flowing garden with a giant sunflower:

But today's essay is about Taking Trains. Hey. When you take a train in the US, do you get to do your produce shopping while you wait?

And, how about if you think you need a beer and a pastry. I mean, right now.

Poor thing. You'd prefer hard liquor, and some cigs. Been a hard day, huh.

One of the refreshing things about being in Germany is it's so much less a nanny state than the US. For example, I'm on the fourth floor here. It's actually 5 flights up because Europeans don't count the ground floor as 1, rather as ground. Anyway, if I wanted to dive to the ground from one of my gigantic, beautiful, two-ways-to-open-for-fresh-air windows, I could. Really. No bars, no screens. No safety locks. No nanny. Not that I would, but it's just an example...

Tomorrow I'm trying Köpenick again, this time in the right direction, maybe with some students. Stay tuned. (Photo from tonight's dinner)

Tuesday, September 25, 2007

At Home in Friedrichshain





It's 22:30 pm and I should be dropping from jet lag, but somehow I think I'll be clicking away for another hour or so. We arrived in 23 pieces together in Berlin this morning, though it seems like 2 days ago already.

Our lovely Hotel Friedrichshain looks onto a quiet courtyard on Warschauer Strasse in the Friedrichshain district. Warschauer is a busy split street with an S-Bahn running up its middle. Pastel colored buildings, mid-rise stucco postwar apartments for the most part, accomodate on the erdgeschoss (first floor) a variety of small shops - handy phones, Obst & Gemuse, video rentals, an Apotheke...

I took a short run in my spandex down this street and up that. I did notice there was no one else doing this, though bicycles zipped by regularly in their own reserved bike lane. I used to joke that one downside of cigarettes is that you can't run while smoking. But here, you can't help it! Lots of folks light up while walking down the crowded sidewalks.

There are, I believe, 24 students in this program; about half women and half men. Coming from all corners of the continental US, most have put lots of energy into starting to know each other. So far we've eaten a couple of fabulous meals. Here I am showing some snaps of tonight's dinner. Too bad I didn't take them until the end. The food was as beautiful as it was tasty.

Monday, August 13, 2007

Fall 2007 in Berlin



Yes! After September 24 I'll be in Berlin, gainfully employed, teaching Web Design/ Interactive Media classes for the Art Institutes Study Abroad Program. Here's where we'll be staying: Thanks to Google, hope I'm not breaking any copyright. Anyway, Berlin is a fabulous place, full of art, architecture, and anarchy: the three A's. Sidetrips include: 4 days in Geneva; 5 days in Baden-Baden and Strassbourg... Why not consider coming to Berlin with us? Or next quarter? Gives you some time to learn German...

Monday, December 04, 2006

2007 Conference on International Opportunities in the Arts

Boston: Friday, April 27, 2007 to Sunday, April 29, 2007


I'm moderating a panel called "Small Scale Retreats" in this symposium. If you are interested in working on your art abroad, this is for you:
Learn how to break into the international art world. Join leading figures from around the world to hear about long- and short- term international residency opportunities for artists (working in every medium) as well as biennales and other global exhibition possibilities.



The Banff Center, Canada



Taipei Artist Village, Taiwan



K2, Turkey

Come to Boston to meet, network with and have your work seen by the conference’s distinguished curators, critics and panelists. This is an excellent resource for professional development. Advance conference registration, which includes admission to all the panels, networking events and a private one-on-one consultation with one of the conference’s international guests, curators or critics is $150.

Register early to ensure your participation in this weekend-long event. All advance registrations must be received by February 1, 2007.

Click on http://transculturalexchange.org/conference_2007.htm for schedule of talks, details and to register.

NEW! Catalogs for TransCultural Exchange’s The Tile Project: Destination: The World, including postcard prints of all the tiles, available at http://transculturalexchange.org/tileproject/catalog_order.htm

Wednesday, November 16, 2005

Illinois Institute of Art at the Apple Store in Chicago

Tonight the Illinois Institute of Art Chicago and the Apple Store teamed up to present work by students in the Digital Media Production, Visual Effects and Motion Graphics, Interactive Media Design, and Visual Communications programs. The evening was very well-attended, with a packed audience for the hour-long video feature in the store's theater. Interactive Media Design and Visual Communications students showcased their work in the downstairs area. Here are some photos:





Thursday, November 10, 2005

Interactive Media Student Group Ideas

Interactive Group

The purpose of the interactive group is to provide students at Ai
1. Networking opportunities
2. Competitive environment
3. Sense of community and social context
4. Expose students to current industry trends
5. Promote and develop team skills
6. Promote excellence in the use of current and future technologies
7. Provide tutorials if possible (so that students can log on and learn tricks etc.)

Some potential group composition
1. Alumni
• Santiago Ruiz
• Puja Mehta
• Flori Hung
• Rob Johnson
• Erinn Ng
• Donny Harder

2. Business professionals
• Mark Blottner
• Brian Shensky

3. AI students
4. Students from outside Ai
5. Ai Faculty
6. Outside faculty and or speakers

Projects
1. Competitions
2. Interactive pieces for Ai use and display
3. Gallery showings
4. Interactive Expo: Invite other schools to attend (Local, related studies)
5. Organziation site with business sponsors
6. Web Forum/Blog—exchanging experiences & knowledge
7. News posting on the site, informing students what is going on in the industry, as well as sharing our interests and likes with them
8.

Venues
1. Outside school venue with wifi
2. Venue that supports video conferencing
3. Web Forum/Blog—exchanging experiences & knowledge
4. News posting on the site, informing students what is going on in the industry, as well as sharing our interests and likes with them

Students
1. David Ostroski
2. Robert Martone
3. Sean Sands
4. Rahel Haile
5. Chanz Pannha
6. Adnan Alicusic
7. Elen Chan
8. Teresa Carney
9. Douglas Simpson
10. Shane Currie
11. Miguel Martinez
12. Warren Rudd
13. Gloria Maldonado
14. Mike Gorelick

Tuesday, September 20, 2005

Tile Project Installation in the Philippines

In late June I went to the Philippines to meet the artists who are putting together the Tile Project installation there. Eileen and Chit Ramirez shepherded me around Manila for five days... The project was installed a month later at the Cultural Center of the Philippines (CCP), a big Marcos-era modernist building with huge public spaces and gigantic chandeliers. The spot where the project is permanently installed is a prominent part of the CCP, in the lobby near the escalators and next to a painting by Eileen's grandfather Cesar Legaspi, a revered "national artist" and one of the "13 Moderns", a loose group of artists creating art opposed to the prevailing academic art of the 1940's.





In connection with the installation, the Ramirezes organized "Synch," a forum on collaboration held at the CCP in August. For full details, including photos, see http://www.transculturalexchange.org/tileproject/press.htm.

The "artist's world" I witnessed there was remarkable for its optimism, its strong sense of community, and relative lack of cynical opportunism. We went to the nightclub Conspiracy, a multiple-use environment that hosts music, installation, video, and traditional exhibition space. Oh, and a restaurant and a bar. Conspiracy is owned by some 50 artists and is a hive of art conversation and activity. Fantastic. I also saw many co-operative galleries: tiny exhibition spaces in very visible, accessible environments such as the "mega mall" and outdoor mall spaces. Though Manila's population of 11 million dwarfs that of Chicago, I saw artists who drove for hours to support their colleagues at openings and gallery events.

Friday, April 15, 2005

Digital Art: The Virtual, the Interpersonal and the Tactile


When integrated into a practice of “real space” art activity, digital art forms can be powerfully expressive for a traditional artist. My interest in digital art focuses on the networked computer’s potential to create community. For me, the computer’s use as a fine art image-making tool takes a back seat to its potential to unite people in intercultural understanding. My research consists of the execution of collaborative projects involving artists and a diversity of other humans around the world. These projects extend our “real space” traditional studio practices into those for which location, nationality, and narrative continually shift their focus between the virtual, the interpersonal and the tactile.


Trained as a painter and printmaker, from 1978 to 1994 I pursued a single-minded path of production, exhibition, and sales of my studio work. My paintings and prints reflect my interest in language shapes and random cross-pollination of gestures, pressings, stampings, and scrapings. Most of my painting work is highly tactile. For me, the tactility emphasizes the human touch, the immediacy of being hand made.




The appreciation of this aura-object quality requires real-space presence. When I began to finally learn to use the computer to make images, this split between on-screen and real-space was pronounced for me. I made a few attempts at solving a painting’s compositional problems with the computer but in the end my impulse was always to make the decision in front of the canvas.


Digital imagery fascinated me though for another reason - its existence, the ability to make any image, anywhere, anytime, and distribute it in an infinite number of ways an infinite number of times, across cultures, without the imperative of language or serious financial outlay – this obviously changed the place/role of imagery and art in a profound way. The freedom to connect through imagery with other groups of artists, to work in collaboration via email and the web – this possibility was fascinating.


An early piece: Artwire
- 3 schools, Cleveland State University, Kunstseminar Freie Hochschule (now Fachhochschule Schwaebisch Hall), the University of Maryland/ College Park
- 15 students sent each other art assignments - resulting video, audio, print and documentary pieces posted online (unfortunately, 10 years later the sites no longer exist)
- Three resulting exhibitions in real space
- Led to the student trip to Germany and German students coming to US

Being/Sein
- American students spend a month in Germany in the class "Sense of Place/ Place of Technology"
- Can an experience in real space be expressed online?
- Journaling/ QTVR Do you remember your grandparents?
- In connection with big painting show at the Plains Art Museum in Fargo, North Dakota
- My grandparents lived in Fargo area
- Want to honor their memory and my return
- Want to use the web to connect my relatives, North Dakotans, and the world
- Stories uploaded automatically, had to email me the photos
- Stories posted by native american children
- No longer taking stories

TransCultural Exchange
- I am the Assistant Director
- Met Director Mary Sherman (Boston) during junior year abroad, Vienna
- Mission to unite artists online, create dialogue, promote peace through transcultural understanding, have real space exhibitions and meet in real space to extend the dialogue in future exhibitions.
- Have had exhibitions on every continent including Antarctica

Coaster Project
- Exhibitions, then distribution for free on all continents
- Performance aspect
- Extensive press coverage
- Award for best show in alternative space from International Association of Art Critics
- Four page spread in International Gallerie Magazine

Tile Project
- 100+ artists
- 22 permanent public installations: Fine Arts Museum of Ho Chi Minh City; Arts Academy of Azerbaijan; Mercer Park, NY, etc
- artists travel to each other’s opening receptions, create networking
- Sponsors include UNESCO, Soros Foundation, Boston College, Asian Cultural Council, MIT, Puffin Foundation, Hewlett Packard…
- University collaborations parallel main artists’ project
- Grade school and high school peace projects
- Wiki site allows contributions from all parties
- I will be in Manila and possibly Bosnia in the summer
- Was in Azerbaijan in February

My trip to Azerbaijan
- Hosted by artist Chingiz Babayev
- Installation at the Arts Academy sponsored by Soros Foundation
- Post Soviet government, oil drilling
- Muslim country
- Qobustan
- some of the oldest petroglyphs in the world.